Not content with the new Snow White bombing in March, Disney decided to release it again in the US last week, only for it to bomb even worse than the first time and take just $252 per screen. The Telegraph‘s Ed Power has more.
Hi-ho, it’s back to the cinema for Disney’s flop live-action Snow White. Having originally crashed and burned in March, the movie misfired all over again after the House of Mouse re-released it in the US last week. Talk about putting the ‘grim’ in Grimm Fairy Tale.
Disney’s apparent calculation was that that the advent of summer blockbuster season could give this dead-on-arrival feature a new lease of life. You can sort of appreciate the logic: after all, May saw the ailing Marvel Cinematic Universe return from purgatory when Thunderbolts proved a surprise hit.
Where a caped crusader can go, surely Snow White and her terrifying CGI dwarf friends could follow? Who, moreover, wouldn’t want to hear Gal Gadot ham her way through the dreadful ‘All Is Fair’ one last time? A sort of evil twin of Frozen’s ‘Let It Go’, the tune has acquired a cult fanbase on social media, where people are intoxicated by its sheer ‘how did this get made?’ awfulness.
Sadly for Disney, such logic did not long survive contact with reality. Incredibly, the second coming of Snow White was an even bigger disaster than the original run. Unleashed on an unsuspecting 1,000 cinemas across the US, the Rachel Zegler v Gal Gadot calamity brought in a pitiful $252 per screen. To date, the remake has cost Disney an estimated $115 million – much of the cost eaten up for by the bizarre decision to have Zegler act opposite CGI dwarfs straight from the Uncanny Valley.
Disney doesn’t realize just how much people hate the far left and the woke crowd.
I worked there in 83 and it was already rife with homosexuality, especially with upper management. It’s gotta be horrible now.